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List of Works
ORCHESTRA & BAND WORKS
• Caution, Rip Current (2007) - arranged for Orchestra [ca. 5'00"]•
• Smoke Rings (1998) - for Symphonic Band [ca. 8'00"]•
• Storm Clouds Absinthe Green (2012) - for Clarinet Quartet and Sitar [ca. 9'00"]
• Contemplative Suite (2011) - for Archlute, Recorder and Violin [ca. 14'00"]• • Ättiksgurka (2011) - Structured Improvisation for 9 players• • The Koi Pond (2010) - for Koto, Bb / Bass Clarinet, Violin, Cello Piano & Percussion [ca. 15'00"]• • Evil Monkey (2010) - arranged for Bass Carinet and Marimba [ca. 5'00"]• • Snowdrop (2008) - for Narrator, Bb / Bass Clarinet, Violin, Cello & Percussion [ca. 16'00"]• • Riot Act (2007) - for Tenor Saxophone, Guitar (Nylon or Steel String) & Accordion [ca. 4'00"]• • Smoke N' Wid (2006) - for Electric Guitar, Cello, Piano & Percussion [ca. 5'00"]• • Caution, Rip Current (2005) - for 8 Players [ca. 5'00"]• • a fly is in... (2004) - for String Quartet [ca. 11'00"]• • Train of Thought (2004) - for Guitar Duet [ca. 6'00"]• • Pseudopod (2003) - for Saxophone Quartet [ca. 6'30"]• • Eidolon (2002) - for Flute, Bb Clarinet, Cello & Piano [ca. 8'00"]• • Trioka (2002) - for Violin, Bb / Bass Clarinet & Piano [ca. 14'00"]• • Scurine (2000) - for Flute, Baritone Saxophone & Cello [ca. 4'00"]• • Vis-à-Vis (2000) - for Violin & Marimba [ca. 8'30"]•
CHAMBER WORKS
WORKS FOR INSTRUMENT & ELECTRONIC MEDIA
• On The Soapbox (2011) - for Bb Clarinet & Tape *Arranged for Recorder and Tape the same year*
• Collage No. 2 "Ramone Roam" (2009) - for Electric Guitar & Tape (Plunderphonics)• • Philly Bar Hop (2006) - for Cello, Tape & Film [ca. 14'00"]• • Collage No. 1 "Bits of Bowie" (2009) - arranged for Bb Clarinet & Tape (Plunderphonics) [ca. 4'00"]• • Collage No. 1 "Bits of Bowie" (2005) - for Alto Saxophone & Tape (Plunderphonics) [ca. 4'00"]• • What is a Modern Goddess? (2001) - for Trombone & Tape [ca. 8'00"]• • Sonance (2000) - for Tenor Trombone & Tape [ca. 6'00"]• • Easily (1999) - Electronic Soundscape [ca. 2'00"]
WORKS FOR VOICE
• Moral Hipocrisy (2010) - arranged for Soprano or Baritone Voice & Acoustic Guitar [ca. 18'00"]•
• Moral Hipocrisy (2009) - for Baritone Voice & Piano [ca. 18'00"]• • Ann Hinson (2009) - for Soprano Voice, Clarinet, Violin, Cello & Percussion [ca. 15'00"]• • Relax - This won't hurt (2007) - for Baritone Voice, Violin & Piano [ca. 3'00"]• • Mani! Mani! (2004) - for 2 Soprano Voices, Violin, Piano & Latin Percussion [ca. 6'00"]• • "A New Piece" (2003) - for Soprano Voice & Tape [ca. 9'00"]• • Mimus Polyglottus (2001) - for Soprano Voice & 7 Players [ca. 5'30"]• • Maria (2000) - for Chorus (SATB), Bb Clarinet, Cello & Organ [ca. 8'00"]•
SOLO WORKS
• Tattered Ragas (2011) - for Sitar [In Progress]•
• Buyer's Remorse (2009) - for Solo Violin [ca. 5'00"]• • Evil Monkey (2006) - for Solo Piano [ca. 5'00"]• • Conflicting Impulses (2004) - for Solo Piano [ca. 8'00"]• • Farewell (1999) - for Solo Violin [ca. 4'30"]• • Shadow Figures (1998) - for Solo Bb Clarinet [ca. 5'00"]• • Escalade (1998) - for Solo Flute [ca. 3'00"]•
THEATER WORKS
• Afterbirth of a Nation (2011) - Soundscape for original artistic collaboration [In Progress]•
• The Tempest (2010) - 7 songs from the script set for Rock Quartet• • The Good Woman of Setzuan (2009) - Electronic soundscapes and select song settings for voice and electonics•
ARRANGEMENTS
• Coming Together by Frederic Rzewski (1971), (arranged by Belcastro for NakedEye in 2012)
- Scored for Flute, Tenor Sax, Soprano Voice, Percussion, Keyboads, Electric Guitar, Sitar and Electronic Sound• |
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